In 1913 the audience of Paris’s Théâtre des Champs-Élysées flirted with full-scale riot during the lusty premiere of Rite of Spring. That flirting no doubt felt like uninhibited manhandling for the poor, soon-to-be-bruised souls in the orchestra, pelted with whatever objects were to hand by an audience driven furious at the avant garde-ness of Stravinsky’s ...
“I wonder how much something like this is worth?” asks the journalist to my left, ignoring the sign underneath requesting visitors refrain from taking photographs. It’s a map of a world that doesn’t exist: Vana’diel, the setting of the eleventh game in Japan’s best-selling RPG series, Final Fantasy. The painting is ten, maybe twelve feet ...